He possessed, too, a fashionable ease of manner. Under a quiet deportment, Alveiro fancied he discovered in him at times a Pedra oumarco branco, que serve de ponto de mira.
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Pano branco, que serve de avental. De alvo, com o sufixo -eiro, se formou alveiro. Daniel Otte, Dr. Daniel E. Jose Correa da Serra, Cristiano Ronaldo : sa soeur a-t-elle la poisse? Le sort s'acharne …. Hubo otro grupo de jugadores que realizaron trabajos a Alveiro [online]. Goro ha dejado una serie de grabaciones con las que Kogito se obsesiona. Aug 06, Bryanbannon rated it it was amazing.
This was my first read of Oe and I was very impressed. I really liked the tone of the narration, the main characters are very well developed, and the plot which is very uneventful if you are looking for a plot-driven read was engaging almost immediately. There are a lot of threads to follow in the narrative, and it bounces around in time. So if that bothers you, this might not be the book for you. I really enjoyed how the background to the central relationship is played out over the entirety This was my first read of Oe and I was very impressed. I really enjoyed how the background to the central relationship is played out over the entirety of the novel, with memories returning given events playing out in the present.
What really made the book great, though, was the "Epilogue. EDIT: Having now read some of the other reviews, I will add that knowing some Japanese history is helpful in terms of understanding some of the political undertones of the novel. A slow, reflective, and often meandering but consistently beautiful read.
A lot of the plot elements are apparently autobiographical, and Oe mixes fact with fiction to deliver a wistful tale of a man in his sixties looking back at his life in the wake of his best friend's suicide, replete with his musings on art, politics, individualism, and sexuality. A highly intertextual book, Oe takes us through, among others and off the top of my head, the works of Arthur Rimbaud, Frida Kahlo, Mozart, and A slow, reflective, and often meandering but consistently beautiful read.
A highly intertextual book, Oe takes us through, among others and off the top of my head, the works of Arthur Rimbaud, Frida Kahlo, Mozart, and even Maurice Sendak to make his point. He then goes further and assigns authorship of his own past works to Kogito, the protagonist, and references them frequently. The result is an honest, emotionally complex, very resonant work infused with a heavy dose of that sublime sadness the Japanese seem to be so good at conveying. I could find a point or two to quibble about regarding the translation, but while the awkward bits were noticeable, they did not detract from my enjoyment of the book, so I'll let them pass.
And I have to mention that the hardcover design is simply gorgeous, with all the yellowed leaves on the translucent dust jacket that line up perfectly over the barren trees on the cardboard inside. That's definitely the edition to buy if you intend to keep it. I didn't get very far, but it reads like a biography. We're apparently more or less expected to know about Oe's life his child, his friends or at least to care about it.
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The only element of interest would be the protagonist's relationship to his lost friend, but the writing style and the contents are so overly intellectual, it's a real bore. Aug 05, Mike rated it liked it Shelves: fiction. I don't remember much, but I remember I liked them. Synopsis: Elderly author Kogito has been receiving taped monologues from his lifelong friend Goro.
As the book progresses, it seems that a shared traumatic experience between the two men may have sown the seeds for Goro's depression. This book is concerned primarily with memory, and, as such, is unreliable in its "facts" and gives few definitive answers about anything.
Sometimes this lack of answers re: Goro's mindset, Kogito's part in things, etc. A few times I got frustrated for lack of a straight answer. Despite not always knowing quite what the story was just some things that happened that were tangentially linked , I never found myself wanting to give up on this. Credit Oe's writing abilities for this.
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I always trusted that the author knew what he was doing I suppose his Nobel Prize helped me to trust him. Japan's postwar politics play a pretty big part in the novel. I wish I'd known a bit more going in. Feb 17, Liz marked it as abandoned. I used to live in Japan and I should have known what I was going to get when I opened up this book- a translation of a prizewinning Japanese novel- yet somehow it didn't resonate.
Maybe it was the awkwardness of the translation with its clunky conversational style, but I found it hard slog. The title made no sense to me.
No ponto de mira
The characters didn't strike a chord. I think I expected something different- maybe a supernatural yarn? Shame because there was so much in the premise of a man rediscovering an old friend through a tape recorder and a series of tapes. Maybe I'll try it again in the fall when there's a chill in the air and the days are shorter- Japanese literature seems to make more sense when there is melancholy in the air. Apr 09, Ashley rated it liked it. This book was not easy. I was excited to read a Japanese Nobel laureate in English but this book was so dense, tedious, introspective, and full of obscure references I nearly quit.
The book referenced the Japanese film Tanpopo, and refreshing my memory on it revealed a connection between the director Junzo Itami and the author Kenzaburo Oe almost exactly like the one between the main character This book was not easy. The book referenced the Japanese film Tanpopo, and refreshing my memory on it revealed a connection between the director Junzo Itami and the author Kenzaburo Oe almost exactly like the one between the main character and his brother-in-law.
Suddenly this was almost a memoir. My favorite section by far through was the end, where Choko's wife Chikashi is deeply moved by a Maurice Sendak picture book. Those aspects certainly helped me appreciate this book but it was still a challenge. Es como un diario en el que habla de si mismo en tercera persona y con otro nombre.
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Pero para entender mejor este libro hay que leer sus primeros libros May 25, jennifer rated it it was ok Shelves: kindle. Now I remember why I kinda like Oe but he's not my fav. The premise and the first third or so is fucking irresistible over-the-hill Japanese dude listening to his dead friend soliloquize from beyond the grave via outdated audio equipment and big hipster headphones -- holed up night after night in his private bedroom, ignoring his wife and special needs son Plot lines be dangling like threads from Rivers Cuomo's sweater.
Sep 18, Michael rated it liked it.
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Pleased to finish this one, albeit slowly. Itami, like his fictional counterpart, is a famous film director. Mar 20, John Armstrong rated it liked it. I pretty frustrating read for me. It had a strong first act Tagame , sagged terribly in the second Berlin , and then was all over the place in the third, introducing the admittedly interesting idea that that gave the book its name changeling only at the very end. I'm going to give Oe another chance or two, or three , but he may just be too much of an I-novelist for my tastes.
Dec 28, Michael David rated it it was ok. This is my first Kenzaburo Oe novel.
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It's readable. I, however, disagree with Oe as regards his perspectives regarding Murakami's works. To me, Murakami is a more eminently readable writer, and a more exciting one, too. I didn't have a hard time reading the novel, but I wasn't really affected either. It's something I won't heartily recommend to anyone, but it's basically an okay read.
Mar 14, Lewis Manalo rated it really liked it. Yo, this book is intense! Thank God for uplifting endings. Nov 12, duo-la rated it it was ok. I'm--I don't know, I kind of gave up trying to understand it.
It was easy to read, easy to digest, but Kind of lazy storytelling. Or maybe I'm the lazy one for not trying harder to understand it as it is rather than twist it into what I would understand more easily. Why do all my reviews turn into therapy sessions?!